from the ground up

In Lewis Carroll’s Through the Looking Glass, Alice finds a world that is familiar, and yet not quite right. After reading a poem in the looking-glass world, she notes: `Somehow it seems to fill my head with ideas -- only I don't exactly know what they are!’ Seeing something we don’t quite understand gets us thinking.

People stare as I kneel in puddles with a tripod-mounted camera pointing at the ground. I am staring too, but at the shapes and tones and textures in my looking-glass world. This world is in a city. That’s where I live. It’s a place in which almost every square inch has been utilized for some human purpose. A landscape made from the earth, its ingredients ground up, separated and reconfigured to form a new environment. In From the Ground Up I use reflections to explore this environment, looking down to see what’s up. By keeping both the ground and the reflection in focus, the city is shown as a multi-layered place. In the digital darkroom the images have been flipped vertically, transporting us, like Alice, into the looking-glass world.

In its initial phase, this project focused on the center of Chicago, an area within walking distance of where I live. This led to the series Chicago through the Looking Glass which was exhibited in 2016. The present project, From the Ground Up, grew from this earlier phase and has been exhibited in 2017.

These photographs are available as fine art prints. Please contact me directly for prices, shipping rates, inquiries, and orders.

  • Sand and Ice

    Sand and Ice

  • Above the Pavement

    Above the Pavement

  • Concrete Coastline

    Concrete Coastline

  • Urban Concrete

    Urban Concrete

  • Paving Stones

    Paving Stones

  • Pigeon


  • Eight Fifty Five

    Eight Fifty Five

  • Service Alley

    Service Alley

  • Lily Pond

    Lily Pond

  • Sunlit Alley

    Sunlit Alley

  • Destination


  • A walk in the park

    A Walk in the Park

  • Mudlark


  • River Ice

    River Ice


    Photographs from this series have been published in DODHO Magazine (February 2015), F-STOP Magazine Black and White Group Exhbition (February/March 2015), Adore Noir (August 2015), Monovisions Magazine (January 2016), F-STOP Magazine Open Theme Group Exhbition (December 2016), and Silvershotz Magazine (April 2017).

    This work has also been recognized in various international competitions including 2nd Place Winner in the Fine Art Photography Awards cityscape category (FAPA 2015), Photolucidia Finalist (Critical Mass 2016), and a Remarkable Artwork Award in the Siena International Photography Awards (SIPA 2016).