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Two Passions: Wildlife and Photography
 
As a youngster I was fascinated by wildlife. At some point I also became a shutterbug. Perhaps it was inevitable that these separate addictions would finally merge into one: wildlife photography. For those following a similar path, beware! If understanding wildlife and striving to take better and better photographs are both challenges, then wildlife photography is a challenge times a challenge. At the end of a mud crawl
At the end of a mud crawl
To appreciate this I recommend a simple initiation. Crawl ten yards through the mud, very slowly inching your way towards a skittish frog, until you are within three feet of your subject. Wait until the sun comes out from behind the cloud that has just appeared (where did that come from?) and then, in those few moments when there is a perfect catch-light in the prince's eye, get the frame-filling shot you are after. Finally, back up slowly through the mud without disturbing the amphibian. The shot of the American Toad was obtained in this way.

So, you’re not allergic to mud. There are a few other wildlife photographer character traits that I’ve found useful, the most important being luck. Most of my favorite wildlife shots have been the result of a lucky encounter with some beautiful beast or beastie. Over the years experience (a code word for lots of failures and some successes) has taught me how to get lucky. If this sounds like fun, read on.
Early and late, the light is great Tip 1: Take lots of hikes. If you want to get lucky, it's best to give yourself plenty of chances. To learn where the best local places are and understand the opportunities they offer requires time in the field. The more time the better.

Tip 2: When on a hike, walk slowly and then slow down some more. If you are in a hurry the chances are you will be seen before you see, and then you won't see at all.

Tip 3: Start early and finish late. Just after dawn is a great time to take photographs. The light is warm in color, and low in angle, giving lots of detail. There is more wildlife visible and there are few, if any, people around. The air is cool and the atmosphere is often clear and still. Just before sunset is also good, although there may be more people around, and the air might not be quite as cool or calm. The Blue Heron photo was taken half an hour after sunrise. The low angle light enabled good detail to be recorded in the feathers. This bird was not yet fully active, and I was able to creep within a few feet of my subject, take a bunch of shots, and then retreat without disturbing its peace.

Early and late, the light is great
 
The waiting game Getting lucky with wildlife is good. Being able to exploit the luck is even better. Every wildlife encounter is a little different but usually, when the chance arises, the first question I ask myself is: What's this bug/bird/reptile/mammal going to do next?

Getting the answer right is the key to making the best of the opportunity. If I think the subject is nervous, the best strategy is often either to stand motionless for a while or to slowly back off a couple of steps, and then wait, hoping that confidence will be restored. Waiting often works. On one lucky hike I spotted a leaf drifting to the ground. However there was something not quite right about this leaf. On getting close I discovered the leaf was a large Chinese Praying Mantis, which promptly flew to a nearby bush. I knew the mantis was there, behind those leaves. The mantis knew I was there, watching. It was a waiting game, and I was playing against a pro. I waited. The mantis waited, but I waited longer. After about 20 minutes the mantis peaked out from behind the leaves. Slowly, very slowly, I got the macro shot I was after.

The waiting game
Get Close and go for the eyes
Get close and go for the eyes
Tip 4: Get close and go for the eyes. To grab the attention of the viewer it�s good if the subject fills a large part of the frame. With wild animals this usually requires getting as close as their comfort zone allows and using a telephoto lens, preferably with a focal length in the 400mm range. With bugs it means using a macro lens. Getting close also means moving forward very slowly, with frequent pauses to assess whether the critter is getting nervous. Once you are close, go for the eyes. If they are shut or hidden in shadow the shot often loses its impact. Best is when there is a catch-light in the eyes which makes the subject look alive. To get the catch-light may require waiting for the subject to look in the right direction, but it's worth the wait. If there is no direct sunlight then flash can do the trick. The Painted Turtle shot was taken in fairly low light, but using flash created the desired glint in the corner of the subject's eye.

Tip 5: Keep it clean. The simplest compositions are often the most effective ones. I try to eliminate anything that distracts the viewer from the subject. In the caterpillar picture the narrow depth of field obtained by using a large aperture has blurred the background, removing extraneous detail that would otherwise have taken attention away from the subject. A narrow depth of field is easy to obtain when using a macro lens, but the trick is to pay attention to the background and try to choose a viewpoint that yields a pleasant backdrop.

Tip 6: Capture the action. Photographs of critters doing nothing are OK. Photos of critters doing something are better, particularly if the something illustrates the nature of the beast, for example a Lion yawning. Sometimes the action is fast, and you get just a couple of seconds to get the shot. After all, wildlife is WILD ... be prepared for anything!

Keep it clean
Keep it clean
  Capture the action
Capture the action
Wildlife is WILD
Be prepared for anything
Copyright 2005  by Steve Geer.  All rights reserved.

 

 

WILDLIFE PHOTOGRAPHY ARTICLE